Inside the Green Room: Romeo & Juliet

Ahead of our production of Romeo & Juliet in July 2025, take a deep dive into our production and the history of Shakespeare’s work at the Northcott.

Why Romeo & Juliet Still Matters

Join Martin Berry, our Creative Director and Joint CEO, and Pascale Aebischer, Professor of Shakespeare and Early Modern Performance Studies at the University of Exeter, in a conversation about the timeless importance of Romeo & Juliet.

Bringing Shakespeare back to the Northcott

We’re thrilled to be bringing Shakespeare back to our iconic stage, with a first-rate professional cast alongside young local talent. Like our entire Spring/Summer programme, this production has been shaped by conversations with our community about what they want to see on our stages.

Exeter Northcott Joint Chief Executives, Emma Stephenson, Kelly Johnson, and Martin Berry

Although Romeo & Juliet is our first Made by Exeter Northcott Shakespeare production in over decade, the theatre has a long history of producing plays by the Bard. “There is a rich Shakespearean lineage here at the Northcott.” adds Martin, “From its earliest days, the theatre has staged bold and ambitious productions of his work. It’s an honour to continue that legacy, and to do so with a vision rooted in the South West.”

We staged 1 – 2 Shakespeare plays every year from 1967 – 1979. From 1980, we staged a further fourteen Shakespeare plays at the Northcott, before beginning annual Shakespeare in the Gardens shows in Rougemont Gardens in 1994.

You can explore posters of some of our Shakespeare productions from the archive below.

Scan of a blue brochure cover from the 1980s, listing the ‘Northcott Theatre Repertoire Season running until 25 July’, including (in a range of fonts) ‘Hamlet, Rosencrantz & Guildenstern are Dead, Othello, The Recruiting Officer’ followed by small-print booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. A washed-out red and white illustration with celestial bodies overlaid with black text reading “King Lear by William Shakespeare’ and a banner emblazoned with ’25 March – 25 April” followed by small-print booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. An illustration of cherubs among ivy on a moonlit night. White and orange text reads “Northcott Theatre Company presents Shakespeare in the Gardens; A Midsummer Night’s Dream; 4th – 29th July” followed by small-print booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster with a black background. A greyscale hand splashed with scarlet blood grasps a crown. White text reads ‘Northcott Macbeth.”
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. A photo of a man in Elizabethan dress with his arms crossed stands toe-to-toe with a woman in a gold gown with her hands on her hips, superimposed onto an illustration of full moon. Text reads “Northcott Theatre Exeter; Shakespeare in the Gardens; The Taming of the Shrew by William Shakespeare” followed by small-print booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. Cream background. Centre: an illustration of two people kissing under a willow tree, their shoulders and heads hidden by the boughs. Text reads “Northcott Theatre Company presents Shakespeare in the Gardens; As You Like It” followed by small-print booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. An illustration of an hourglass and scythe resting on a snowbank against a vivid dark blue sky. Text reads “Northcott Theatre Company 20th Anniversary Production with the financial assistance of Exeter City Council; The Winter’s Tale by William Shakespeare” followed by small-print booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. Burgandy background. An illustration of three Elizabethan gentleman cavorting with a fiddle, goblet, and walking stick. Text reads “Northcott Theatre Company; 10 Oct – 9 Nov; Twelfth Night by William Shakespeare” followed by small-print booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. An illustration of a hooded figure climbing stairs towards a dark doorway in a brick wall, surrounded by greenery and lit by a vivid sunset. Text reads “Northcott Theatre Company; Shakespeare in the Gardens; Hamlet by William Shakespeare; 17th July – 11th August 2001.”
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. Leafy background with blue sky. An over-saturated photo of two men with buzz cuts pressing their cheeks together and looking in one another’s eyes. Text reads “Northcott Theatre Company; Shakespeare in the Gardens 2003; The Two Gentlemen of Verona by William Shakespeare; 16 July – 16 August 2003”.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. Leafy background with blue sky. A sepia photo of twin babies torn in the middle. Text reads “Northcott Theatre Company; Shakespeare in the Gardens 2005; The Comedy of Errors; 13 July – 13 August 2005”.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. A stormy night sky bordered by over-saturated leafless red and yellow trees. Text reads “Northcott Theatre Company; Shakespeare in the Gardens 2007; Macbeth” followed by booking information.
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. White background. A dark, low-angle photo of the Tower of London, ripped at the edges and overlaid with a white and red rose seal. Text reads “Exeter Northcott Theatre Company and Ludlow Festival present Shakespeare in the Gardens Richard III; 17 July – 7 August 2002.”
Courtesy of Special Collections, University of Exeter
Prev Next
An archival Exeter Northcott poster. White background. An illustration of a young brunette woman’s bare shoulder seen from behind, marked by a bleeding rose, painted as if on a marble slap. Text reads “Exeter Northcott in a co-production with Ludlow Festival Society present William Shakespeare’s Romeo & Juliet” followed by credits and booking information.
Courtesy of Special Collections, University of Exeter
Prev Next

Bringing Romeo & Juliet back to the Northcott

This year’s Romeo & Juliet will be our third ever production of the play. The previous productions were in 2002 (pictured) and 2009.

According to the reviews, our 2002 production was “something special… truly moving” (Express & Echo), “another in the Northcott’s outstanding series of Shakespeare in Rougemont Gardens” (Evening Herald), and “a magical presentation of the world’s most famous love story” (Culture3) with a special mention for Eva Bartley, who was “a revelation as Juliet” (Herald Express).

The Daily Mail observed that Romeo & Juliet’s “tale of young love under fire in a hostile, strife-bound community was never more pertinent”, a statement which still rings true today. Our 2025 production will ask what happens to young people in a divided society, and bring home the inescapable truth that a peaceful world can only be achieved through compassion, love, and understanding.

An archival Exeter Northcott poster. A painting of Juliet, in a white nightgown, kissing Romeo, in a dark red tunic and feathered cap, as he sits astride her ivy-ringed balcony. Text reads “Northcott Theatre Company; Shakespeare in the Gardens 2002; Romeo and Juliet by William Shakespeare; 19 July – 24 August.”
Courtesy of Special Collections, University of Exeter
Photo from Exeter Northcott’s 2002 Romeo & Juliet of Romeo and Juliet with their noses centimetres apart and their palms pressed together.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of an attentive brunette Juliet listening to Lady Capulet, dressed in navy velvet, who speaks and gestures. The background is leafy green.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of an actor in earth tones holding a piece of parchment and listening to another, wearing a fine purple brocade coat, who speaks and gestures with intensity.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of two men in period dress fighting with rapiers. In the background, other actors look on, including one holding a black and white masquerade mask to their face.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of a smiling brunette Juliet sat beside the conservatively dressed Nurse, who is fanning herself.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of Frair Lawrence in a brown habit, gesturing, against a leafy background.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of Paris, dressed in burgundy velvet and brocade, kissing a reluctant Juliet’s hand.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of Romeo, in a velvet coat and white shirt, stood on a high white platform, holding a rope barrier.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of Lord Capulet moving aggressively towards the camera, held back by a concerned Lady Capulet, towards where Juliet kneels in the foreground, facing away from the camera.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Close-up photo from Exeter Northcott’s 2002 Romeo & Juliet of a brunette Juliet crying in distress.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of Juliet, dressed all in white, on her knees at the foot of a low platform, drinking from a small glass vial.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002
Photo from Exeter Northcott’s 2002 Romeo & Juliet of Romeo laying on a tabletop with Juliet, dressed in white, leaning over him looking distressed with one hand resting on his chest.
Photo by Alan Winn
Prev Next
Romeo & Juliet in Rougemont Gardens, 2002

Making the Music

Although our production of Romeo & Juliet is set in the 21st century, the soundtrack draws heavily from the 1990s, featuring music from The Prodigy, Dr Dre, Chemical Brothers, and Muse.

“The ’90s bring a rich emotional palette that fits the raw intensity of the play,” says director Martin Berry, “From grunge and Britpop to early R&B, the music speaks to a generation defined by both angst and hope. There’s also a sense of nostalgia that helps bridge the generational gap — older audiences will remember their youth, while younger ones connect with the authenticity of the era’s sound.”

Our Sound Designer Robin Colyer adds “Shakespeare’s original audiences spoke of ‘hearing’ a play rather than ‘seeing’ one — a reminder that although we’ve used a modern soundtrack for this production, sound has always been vital to how his stories are experienced… The sounds and music in this production are designed to support and amplify the emotional journey of the play, from its moments of tender intimacy to its devastating tragedies.”

Watch the video to find out more about how Robin is taking classic ’90s tracks and reworking them for Romeo & Juliet.

Making the World

Screen capture of a Computer Aided Design for the Romeo & Juliet set, featuring two semi-circles of audience seating, two buildings, an orange car, and an old sofa.

“One of the things I love about being a designer is the fact that you get to work creatively in a team” says our Set and Costume Designer Fi Russell, “So much of the inspiration came from the brilliant conversations I had early on with Director Martin and Composer Robin. We wanted to create a world that would be relatable to our young people today, transposing the setting to modern day UK, casting a young vital cast and creating a soundtrack that will give the Spotify generation the feels.

“The famous opening line ‘Two households, both alike in dignity’ doesn’t actually specify that the families have to be rich, which can feel alienating in our increasingly disparate world. So instead we invite you not to ‘fair Verona’ but to ‘Verona Place’ a corner of a nondescript 60s-build council estate in the heat of summer, under a big brooding sky, where two powerful families vie for control.”

Inside the rehearsal room

Photo of an actor kicking another in the pelvis while others look on.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of two smiling actors face-to-face, with their palms connected between them.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of the Romeo & Juliet ensemble in casual clothing, gathered in a loose group, gesturing aggressively with their fists.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of an actor threatening two others with a knife, while others look on.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of an actor held in a headlock by another, who is armed with a knife, while two others look on.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of three actors holding scripts with their arms around one another.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of an actor in a red shirt sat on the floor with one hand held out in front of them.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of a loose group of actors standing and sitting together, all facing in the same direction and looking off camera.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of an actor standing in the centre of a small crowd, pointing with both hands.
Rehearsal photo by Lillie Sherry
Prev Next
Photo. In the foreground, two actors discussing the script held between them. In the mid-ground, a stage manager’s desk scattered with laptops and water bottles. In the background, the company rehearses, with their arms spread wide.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of two actors stood on a raised platform, surrounded by three others. The actor in the centre, wearing a green shirt, is gesturing widely.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of a blonde, casually dressed actress sitting on a black studio floor with an acoustic guitar, reading from an open script.
Rehearsal photo by Lillie Sherry
Prev Next
Photo of a group of performers rehearsing a movement sequence, in which they are all lifting one knee high and baring their fists.
Rehearsal photo by Lillie Sherry
Prev Next

More to come! Don’t forget to check back here and keep an eye on our social media accounts for more insights behind the scenes as we get closer to opening night.

Romeo & Juliet will be performed at Exeter Northcott 2 – 12 Jul, with relaxed, audio-described, and BSL-interpreted performances available. Tickets start from £19.50, with 20% off for members and discounts available for group bookings and U26 members.

Book now

Discover more about Romeo & Juliet

Adopt
a seat

Adopt your very own seat at the Exeter Northcott and help secure a bright future for the theatre.

Find out more
Privacy Overview
Exeter Northcott Theatre

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

3rd Party Cookies

This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages.

Keeping this cookie enabled helps us to improve our website.